A selection of lectures and presentations from Konstfack Research Week 1-5 February 2016.
	Monday 1 February
Welcome and introduction to Konstfack Research Week, by Maria Lantz
 
Introduction and programme overview, by Magnus Ericson and moderator Ulla Lind
 
Konstfack Research Strategy, presentation by Magnus Mörck
 
Art? Were More Interested in Plumbing, lecture by Maria Hellström Reimer
 
Two approaches to artistic research, lecture by Magnus Bärtås
 
Programme perspectives, presentations with Ulrika Karlsson, Bo Westerlund, Anette Göthlund & Annika Hellman
Ulrika Karlsson
 
Bo Westerlund
 
Anette Göthlund & Annika Hellman
 
The Arrested Time: Figurations of Otherness, lecture by Mara Lee
 
Tuesday 2 February
Introduction and programme overview, by moderator Håkan Nilsson
 
Making a field. Aspects of research in art, technology and design, an introduction to the Konstfack and KTH Royal Institute of Technologys joint doctoral programme Art, Technology and Design, by Catharina Gabrielsson
 
The Ghosts of Globalization and their (In)Ability to Haunt, lecture by Esther Peeren, introduction by Luis Berríos-Negrón
Luis Berríos-Negrón
 
Esther Peeren
 
Discussing the spectre, and the metaphor, conversation between Esther Peeren, Ectoplasmic Materialism and Luis Berríos-Negrón
 
Forms of participation, presentation by Maja Frögård
 
Art, Pedagogics, and Theory: The What, Why, and How of Things, lecture by Irina Sandomirskaja, introduction by Behzad Khosravi Noori
 
Wednesday 3 February
The politics of the camera, presentation by Petra Bauer
 
From rhizomatic lingo to investigations of the mundane and everydayish: some aspects of the word "practical", presentation by Katji Lindberg
 
HAPTICA The role haptics plays in the aesthetic gestalt process for the culinary arts, presentation by Cheryl Akner-Koler
 
Microhistories, presentation by Magnus Bärtås and Andrej Slávik
 
Mapping the Intangible – Adaptivity in Architectural Design, presentation by Cameline Bolbroe
 
Algorithms explained for artists and other normal people, lecture by Bart Haensel