1 October, at 5:30-7:00 pm, Kungl. Konstakademien, Stockholm
The two worlds under discussion here are the one of higher education and art: both with their accompanying institutional and cultural frameworks.

With more program items than ever, Stockholm Craft Week takes over the capital for the seventh year in a row. The event runs from 1st to 5th October – Konstfack students participate in three exhibitions, and the school's alumni in even more.
Research Lab CRAFT! 2025 warmly invites you to celebrate the release of our publication A Living Practice. Over the past year Victoria Cleverby, Tova Fransson, Heather Jones, Ever Lavén, Lisa Rydell, Lisa Sander and Ida Isak Westerberg have approached artistic research not as a linear path toward a conclusion, but as an ongoing event – a living practice.
2 October, at 9-10 am, Svarta havet, Konstfack
We live in troubled times and in this presentation, art historian Jorunn Veiteberg will highlight jewellery that has war either as a theme or a background.

3 October, at 1-3 pm, Zickerman, Konstfack
The seminar will be based on Khosravi Noori's recent publication which emerged as a reflection, an observation, and a struggle to examine language to describe the twelve-day war between Israel and Iran.

4 October, Wanås Konst, Knislinge
Katja Aglert takes us on a performative forest walk embracing darkness through history, the present, and more-than-human perspectives.

4 September - 15 October, Steneby Konsthall, Dals Långed
Referring to a moment of discovery, the exhibition explores how we define curiosity and strangeness—through whose values, perceptions, and systems of knowledge.

17-23 October, Gallery Pölen, Konstfack
The solo exhibition is a video and sound installation revolving around the way media portrays neurodiversity.

17-24 October, Vita havet, Konstfack
A solo/duo bachelor's exhibition by Ella Azcaraté Lindblom and Olle Witt.

31 October, at 09:00 am - 4:00 pm, Studion, Konstfack
Monster writing workshop as well as a listening seminar; Monstrous soundscapes – 7, 45. Through these, the participants (whether human or more-than) are invited to engage in art-based research practices that make space for more-than-human co-creation.

27 November, at 1-7 pm, Mandelgren, Konstfack
The history of silversmithing has been largely characterized by an aesthetic consensus culture built mainly by men. Since the 1990s, however, a large number of female smiths have taken their place and today the gender balance is relatively even.

Evelina Lavergren, 2025 graduate from the master's programme Design Ecologies, wins the Footwear category with the project "Biological Footprint".
The artist Cecilia Grönberg is looking forward to working with the concept of generosity.
The project "Rapid Autografting – Reimagining Footwear Through Bioengineering" by Wolfgang Laimer, 2024 graduate from the master's programme Design Ecologies, was selected from over 7000 entries across 74 countries.
The exhibition "Ex-Works 2025" presents graduation projects from students at Sweden's five leading design schools at the museum in Älmhult, founded by two Konstfack alumni in 2017.
11 April - 9 November, European Museum of Modern Glass, Germany
The exhibition features sculptures, sound and video installations, and wall works. The focus is on objects that explore the materiality of glass and its semantic and physical properties in ever-changing ways.

Konstfack AlumniKonstfack Alumni is a network including approximately 1800 artists, designers, pedagogues and curators, all of them with a degree from Konstfack.
Updated: 1 October 2025
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